Between songs.
Every Saturday night of our senior year in college, one of my closest friends and I would get dressed up. Or at least she would. For me, it was a black top of some sort, with my tightest pair of jeans which weren’t very tight at all, and a pair of black boots that pushed me up to about 5′9. We would arrive before 10, so as to take advantage of the free entrance for girls, and while we would always find something to talk about, inevitably, she would attract attention and find a man (or three) to talk to. I never minded, because a few minutes later, an amaretto sour would come rolling down the pike, as I sipped on my straw and she chattered away. Having lived in Spain for the last year, she would get especially excited when she found a native Spanish speaker with whom she could practice the fluid rolling r’s of the language she loved.
The music would start, and we’d grab hands and make our way to the dance floor, regardless of how many people were dancing. If there was one thing we both knew how to do, it was dance. She moved her body with a spanish flair, the rhythm of the samba and flamenco rolling her hips to the music, a native Spaniard despite her New Jersey roots. As for me? It was always the beat pulsing, vibrating from my foot to my ears, making me part of the music rather than someone dancing to it. My body instinctively would reach out to the notes, the bass the unspoken language of its movement and it was on the dance floor we’d unleash our inner goddesses and let them follow our curves to the music.
It was no surprise that guys gravitated to us, when we were dancing so freely and without abandon. However, while she would dance with anyone because for her, it was about having a good time and dancing, for me, it was purely the movement that appealed to me. Guys would sidle up to me, their bodies pressed against my back, their hands on the lowest points of my hips, sliding down my thighs as they sought to tame the beat that resided within. Very few could move their bodies the way I needed them to for me to feel comfortable with them. There always needed to be a level of attraction for me to feel so close, so comfortable with them, and then they needed to quite simply, be able to move. Only a few guys were able to follow my body as it gyrated; most would rotate to the left while I veered off to the right, or their legs were uncomfortably close to mine, hindering my ability to dance freely, and I would always end up walking away.
I don’t mean to say she was loose or undiscerning, but I do mean to say that much like how I pick the men I dance with, I am also incredibly selective about those I date. For almost a year, I was a one-guy girl, a phenomenon so new and rare to me, it took me several months to acknowledge the fact I was in a relationship. It is rare to find a man who can keep my rhythm, one who won’t stumble a few beats into the music when the note pitches and my body shifts. As I can only dance alone for so long, I’ve made do with those who could dance along with me for a few notes, their feet tapping to the count of unh, unh, unh, yeah as we slid into a night of sloppy kisses or debonair tongues, bodies pressed against one another with hands in those most private of privates, a lick here and a lap there, but not to be repeated more than a few times. My standards for one-night stand type boys were considerably less than they were for the boys I’d date. A dash of nerdiness, a pint of intelligence, occasionally a measure of good wit and banter, and ideally, an appreciation for me. Alcohol sometimes smoothed these deals over.
But the ones that would stay with me, even beyond the messy breakups and tears, were the ones that could keep up with my dance, in every pitch and change of note. I may not be high-maintenance, but I am high-energy. To date me requires challenging me intellectually, mentally, emotionally, physically, and ways that I couldn’t possibly think of, simply put. My standards remain quite high, because so few people can successfully press their bodies to mine and make me want to stay connected through the vibrations of our fingertips and our mouths, or when the music slows down and there’s a brief respite to talk.
This last dance I had? Is probably the most exhausting one I’ve undertaken yet. So I’ve taken a small break, sipping on the wine of restoration, before tentatively making my way onto the floor again. It’s about time for a partner who won’t stay with me for more than a few beats, perhaps a single song, because while he may be able to keep my gyrations in tune with his for now, it can’t go much further. And for the nights he may spend in my bed, or leave small reminders of his presence in my life; a frisbee here, some nuts there, and finally, a shirt, it’s only for a few songs. Giving myself some time where I let it flow through me and into someone else, as we combine our bodies to create a new, shorter movement is just fine with me.
I know someday, the club will pitch, the lights will roll, and someone will slide up and as his hands reach down my waist, my hips, the fabric of my jeans will melt underneath his tips as we begin the new dance, one that will leave me breathless again, and in fervent movements that remind me of how good it can be when someone else knows the song.
13 comments March 31, 2008

